
Basso-baritono
Gianluca Margheri — Italian Bass-Baritone
Basso-baritono italiano acclamato per le sue interpretazioni del repertorio mozartiano, rossiniano e barocco.
Teatri e festival selezionati
- Royal Opera House
- Gran Teatre del Liceu
- Teatro di San Carlo
- Teatro Real Madrid
- Rossini Opera Festival
- Maggio Musicale Fiorentino
- Irish National Opera
- Teatro dell’Opera di Roma

Gianluca Margheri
Bel canto and beyond.
Tra i principali basso-baritoni italiani della sua generazione, Gianluca Margheri interpreta oltre sessanta ruoli nei più importanti teatri e festival d'opera d'Europa e delle Americhe, in un repertorio che spazia dal bel canto e dai capolavori barocchi a Verdi e all'opera contemporanea.
Prossimi impegni
Impegni attuali e prossimi in Europa.
- PROSSIMI
La Cenerentola — G. Rossini
Alidoro
La Monnaie / De Munt
Brussels, Belgium
16, 20, 23, 27, 30 December 2026
Direttore: Speranza ScappucciRegia: Daniel Kramer
- PROSSIMI
Jeanne Dark — F. Vacchi
San Dionigi
Teatro Verdi
Trieste, Italia
9, 10, 11, 16, 17, 18 April 2027
Direttore: Alessandro CadarioRegia: Paolo Valerio
Stampa
Rassegna internazionale
La critica internazionale ha scritto:
“Gianluca Margheri’s noble-sounding Bajazet.”
The Guardian
Erica Jeal — Vivaldi — Bajazet — Royal Opera House / Irish National Opera — 2022
“Gianluca Margheri has a very sonorous, long and warm voice… Through his varied palette of colours and dynamics he embodies tenderness, reconciliation, majesty and authority with remarkable naturalness.”
Olyrix
Joël Heuillon — Monteverdi — Il ritorno d’Ulisse in patria — Ravenna Festival — 2024
“Gianluca Margheri as Escamillo performed with rich, dark vocal colors […] giving his voice drama, authority, or even the sinister and dangerous shades the plot required. At the same time his voice was perfectly focused and easily cut through the dense orchestral texture, reaching the farthest rows of the Auditorio El Escorial without visible effort.”OperaWire
Galina Altman — Bizet — Carmen — ESCENA Escorial — 2026
“Voz de timbres oscuros, ricos y muy resonantes, destacando su capacidad para proyectar fuerza sin perder el control de las dinámicas ni los matices musicales.”Platea Magazine
Víctor Mourelle — Bizet — Carmen — ESCENA Escorial — 2026
“Gianluca Margheri was also very impressive as the swaggering Belcore… He has a very powerful voice that projected effortlessly to the back of the theatre and was able to conjure rich dark vocal colours.”
Seen and Heard International
Roberto Beattie — Donizetti — L’elisir d’amore — Irish National Opera — 2025
