Basse-baryton
Gianluca Margheri — Italian Bass-Baritone
Basse-baryton italien reconnu pour ses interprétations du répertoire mozartien, rossinien et baroque.
Maisons d'opéra et festivals choisis
- Royal Opera House
- Gran Teatre del Liceu
- Rossini Opera Festival
- Teatro Real Madrid
- Irish National Opera
- Maggio Musicale Fiorentino
Gianluca Margheri
Bel canto and beyond.
Parmi les principaux basses-barytons italiens de sa génération, Gianluca Margheri interprète plus de soixante rôles dans de grandes maisons d'opéra et festivals en Europe et dans les Amériques, dans un répertoire allant du bel canto et des chefs-d'œuvre baroques à Verdi et à l'opéra contemporain.
Prochains engagements
Représentations actuelles et à venir à travers l'Europe.
- À VENIR
La Cenerentola — G. Rossini
Alidoro
Teatro di San Carlo
Napoli, Italia
20, 21, 23, 25, 27 October 2026
Direction musicale: Speranza ScappucciMise en scène: Damiano Michieletto
- À VENIR
Tantum Ergo — G. Verdi
Bass soloist
Teatro di San Carlo
Napoli, Italia
24 October 2026
Direction musicale: Fabrizio Cassi
- À VENIR
La Cenerentola — G. Rossini
Alidoro
La Monnaie / De Munt
Brussels, Belgium
16, 20, 23, 27, 30 December 2026
Direction musicale: Speranza ScappucciMise en scène: Daniel Kramer
Presse
Revue de presse internationale
La critique internationale a écrit :
“Gianluca Margheri’s noble-sounding Bajazet.”
The Guardian
Erica Jeal — Vivaldi — Bajazet — Royal Opera House / Irish National Opera — 2022
“Gianluca Margheri has a very sonorous, long and warm voice… Through his varied palette of colours and dynamics he embodies tenderness, reconciliation, majesty and authority with remarkable naturalness.”
Olyrix
Joël Heuillon — Monteverdi — Il ritorno d’Ulisse in patria — Ravenna Festival — 2024
“Gianluca Margheri as Escamillo performed with rich, dark vocal colors […] giving his voice drama, authority, or even the sinister and dangerous shades the plot required. At the same time his voice was perfectly focused and easily cut through the dense orchestral texture, reaching the farthest rows of the Auditorio El Escorial without visible effort.”OperaWire
Galina Altman — Bizet — Carmen — ESCENA Escorial — 2026
“Voz de timbres oscuros, ricos y muy resonantes, destacando su capacidad para proyectar fuerza sin perder el control de las dinámicas ni los matices musicales.”Platea Magazine
Víctor Mourelle — Bizet — Carmen — ESCENA Escorial — 2026
“Gianluca Margheri was also very impressive as the swaggering Belcore… He has a very powerful voice that projected effortlessly to the back of the theatre and was able to conjure rich dark vocal colours.”
Seen and Heard International
Roberto Beattie — Donizetti — L’elisir d’amore — Irish National Opera — 2025
